№ 22

Grace

· Pi

Upper trigram
Keeping Still · mountain
Lower trigram
The Clinging · fire
Nuclear trigrams
The Arousing / The Abysmal

The Hexagram

Pi / Grace

Above KÊN KEEPING STILL, MOUNTAIN

Below LI THE CLINGING, FIRE

This hexagram shows a fire that breaks out of the secret depths of the earth
and, bla

Judgment

GRACE has success.

In small matters

It is favorable to undertake something.

Grace brings success. However, it is not the essential or fundamental thing; it
is only the ornament and must therefore be used sparingly and only in little things.
In the lower trigram of fire a yielding line comes between two strong lines
and makes them beautiful, but the strong lines are the essential content and
the weak line is the beautifying form. In the upper trigram of the mountain,
the strong line takes the lead, so that here again the strong element must be
regarded as the decisive factor. In nature we see in the sky the strong light of
the sun; the life of the world depends on it. But this strong, essential thing is
changed and given pleasing variety by the moon and the stars. In human
affairs, aesthetic form comes into being when traditions exist that, strong and
abiding like mountains, are made pleasing by a lucid beauty. By
contemplating the forms existing in the heavens we come to understand time
and its changing demands. Through contemplation of the forms existing in
human society it becomes possible to shape the world.

Image

Fire at the foot of the mountain:

The image of GRACE.

Thus does the superior man proceed

When clearing up current affairs.

But he dare not decide controversial issues in this way.

The fire, whose light illuminates the mountain and makes it pleasing, does
not shine far; in the same way, beautiful form suffices to brighten and to
throw light upon matters of lesser moment, but important questions cannot
be decided in this way. They require greater earnestness.

Changing lines

  • Line 1

    Nine at the beginning means:

    He lends grace to his toes, leaves the carriage, and walks.

    A beginner in a subordinate place must take upon himself the labor of
    advancing. There might be an opportunity of surreptitiously easing the way–symbolized by the carriage–but a self-contained man scorns help gained in a
    dubious fashion. He thinks it more graceful to go on foot than to drive in a
    carriage under false pretenses.

  • Line 2

    Six in the second place means:

    Lends grace to the beard on his chin.

    The beard is not an independent thing; it moves only with the chin. The
    image therefore means that form is to be considered only as a result and
    attribute of content. The beard is a superfluous ornament. To devote care to it
    for its own sake, without regard for the inner content of which it is an
    ornament, would bespeak a certain vanity.

  • Line 3

    Nine in the third place means:

    Graceful and moist.

    Constant perseverance brings good fortune.

    This represents a very charming life situation. One is under the spell of grace
    and the mellow mood induced by wine. This grace can adorn, but it can also
    swamp us. Hence the warning not to sink into convivial indolence but to
    remain constant in perseverance. Good fortune depends on this.

  • Line 4

    Six in the fourth place means:

    Grace or simplicity?

    A white horse comes as if on wings.

    He is not a robber,

    He will woo at the right time.

    An individual is in a situation in which doubts arise as to which is better–to
    pursue the grace of external brilliance, or to return to simplicity. The doubt
    itself implies the answer. Confirmation comes from the outside; it comes like
    a white winged horse. The white color indicates simplicity. At first it may be
    disappointing to renounce the comforts that might have been obtained, yet
    one finds peace of mind in a true relationship with the friend who courts
    him. The winged horse is the symbol of the thoughts that transcend all limits
    of space and time.

  • Line 5

    Six in the fifth place means:

    Grace in the hills and gardens.

    The roll of silk is meager and small.

    Humiliation, but in the end good fortune.

    A man withdraws from contact with people of the lowlands, who seek
    nothing but magnificence and luxury, into the solitude of the heights. There
    he finds an individual to look up to, whom he would like to have as a friend.
    But the gifts he has to offer are poor and few, so that he feels ashamed.
    However, it is not the material gifts that count, but sincerity of feeling, and so
    all goes well in the end.

  • Line 6

    Nine at the top means:

    Simple grace. No blame.

    Here at the highest stage of development all ornament is discarded. Form no
    longer conceals content but brings out its value to the full. Perfect grace
    consists not in exterior ornamentation of the substance, but in the simple
    fitness of its form.